Thursday, September 25, 2014

"Getcha Now" MarchFourth in Germany

Watch M4 dance team alums LaTisha Stickland, Jen Forti and Ariel Brantley-Dalglish rock "Getcha Now" in Hannoversch Muenden, Germany, back in Sept. 2010.

Video by Diggable Monkey

Tuesday, September 16, 2014

Soriah Tuvan Throat Singer

Perhaps the most rewarding part of my life is that I get to work with some of the most innovative and talented creative people in Portland. Enrique Ugalde and his incredible throat singing was embedded in me from the time I first heard him perform over 10 years ago. He is a tremendous force of nature and wonderful human being. If you know or respect his work, please don't hesitate to spread the word through liking or share this bio piece. 

Saturday, September 6, 2014

Soriah: Tuvan Throat Singer (Enrique Ugalde)

Soriah, which translates as “Milky Way” from Sufi, is the stage persona for the internationally recognized artist, Enrique Ugalde. Soriah’s craft is a blending of traditional Khöömei (Tuvan Throat Singing), tempered with Soriah’s own visceral force. Performances vary from being steeped in tradition and bound to its constructs to more experimental fascinations with electronic and acoustic accompaniments, and introducing Butoh and Ritual Performance Art. Soriah’s use of Khöömei as a transportive medium is an offering to nature in her own tongue, that of organic sound whether it be wind, water or the mimicry of animals. He is currently working to integrate his work into film and sound design.
Soriah takes an annual sabbatical to Tuva to study with various masters and to compete. The 2008 Fifth Quinquennial Ethnomusicology Symposium, “Khöömei: The Cultural Phenomenon of Central Asia”, has honored Enrique Ugalde, “Third Place”, the highest a non-native to Tuva has yet placed. The Üstüü-Khüree Festival awarded him “Best Foreigner” for their 2008 selection. In 2014, he won 2nd place in the Tuvan National Kargyraa Competition. The rest of the year Soriah travels the globe with extended tours performing in various cities and enclaves of Japan, crooning in the cathedrals and ruins of Mexico, and intoning in ocean caves and amidst the swamplands of America. The artist has been invited to perform at society events such as The 2009 Peace Ball in Washington, D.C. for Obama’s inauguration, and by brigand artist elites, to sing at various installations of note at the Burning Man Festival.
One becomes encased in an awe-laced ceremonial pallor while in attendance at a Soriah performance. A deep spiritualism imbues each piece performed, whether entirely traditional or exhibiting a fusion of music, movement and meditation that Soriah describes as Vocalized Ritual Drone.